Making People

From the primordial sludge the being is made: golem, new life, self-replicating cappuccino foam, elemental secrets, body malfunctions, leave a hole for the soul, numinous breath, desiring humanness, pack them away for a rainy day, six drops of sinister sauce, stir vigorously to remove lumps, sneeze into schnoz for desired liveliness, desperately vulnerable, crumbling effigies, it’s alive!

Nicholas Hanisch’s recent body of work investigates creation narratives within the history of figurative sculpture, whilst celebrating the humour, the horror, the happenstance, and the sheer endeavour of creation. In his process, he focuses on ways in which to generate effectual responses in the audience, encouraging them to respond to the work as though it were a living being and react through expressions of emotion, whether that be humour, horror, or fear.

Making People: desperate endeavours to create life from primordial sludge, is a series of sculptures specifically focusing on the Jewish folktale of the Golem as well as Mary Shelley’s Frankenstein. Hanisch uses clay modelling, plaster cast reproduction, and plaster building techniques to form larger-than-life sculptures that encourage imaginative responses from the viewer as these inanimate objects become unavoidably anthropomorphic. During the making process, these sculptures constantly evolved, responded to, and adapted to their surroundings. Like Prometheus moulding man in Greek mythology or the cadaver amalgamation of Frankenstein’s Monster, Hanisch imbues his sculptures with a sense of life that aims to generate a human response with the viewer.

Further reading:

Making People: desperate endeavours to create life from primordial sludge Exegesis >

Exhibited at:

Perth Institute of Contempory Arts Hatched National Graduate Exhibition 2021 >

Hatched Catalogue 2021 >

Hatched 2021 Video Tour >

Adelaide Central School of Art Graduate Exhibition 2020 >